CV  
SELECTED SOLO AND TWO-PERSON EXHIBITIONS
2016 Stephen Bulger Gallery, Toronto, Canada
2015 Buckham Gallery, Flint, MI (with L.E. Siri-Young)
2014 Fred Torres Gallery, New York, NY
2013 bildkultur, Stuttgart, Germany
2012 DNJ Gallery, Santa Monica, CA
  Clark Gallery, Lincoln, MA
2011 Oakland University Art Gallery, Rochester MI [catalogue]
2010 Witzenhausen Gallery, Amsterdam, The Netherlands
  Clark Gallery, Lincoln, MA
  DNJ Gallery, Los Angeles, CA
2008 Uno Art Space, Stuttgart, Germany
  Wallspace Gallery, Seattle, WA
2007 Museo de la Fotografia, Santa Fe, Argentina
  Richard Levy Gallery, Albuquerque, NM
  Foto Arte Festival, Brasilia, Brazil [catalogue]
  Nicole Fiacco Gallery, Hudson, NY (with Michal Bachi)
2006 Centro Cultural Recoleta, Festival de la Luz, Buenos Aires, Argentina [catalogue]
2005 SFCamerawork, San Francisco, CA
2003 Focal Point Gallery, Southend-on-Sea, England (with Elia Alba) [catalogue]
  Margaret Harvey Gallery, St. Albans England (with Elia Alba) [catalogue]
2002 Moreau Art Galleries, St. Mary’s College, Notre Dame, IN
  Museum of Art, SUNY-Potsdam, NY
2001 Gallery 44, Centre for Contemporary Photography, Toronto, Canada
  Urban Institute for Contemporary Art, Grand Rapids, MI
1998 The Wright Museum of Art, Beloit, WI (with Michael Hernandez de Luna / Michael Thompson)
   
SELECTED GROUP EXHIBITIONS
2017 Art Gallery of Windsor, ON, Canada Food, Feminism and Kitchen Culture: Carly Erber, Anna Frlan, Cynthia Greig, Marilyn Minter, Christiane Pflug, Annie Pootoogook and Martha Rosler
  Guildhall Art Gallery, London, England Nature Morte: Contemporary Artists Reinvigorate the Still-Life [book, travelling]
  Elysium Gallery, Swansea, Wales, ESPY Photo Award exhibition
  The Four Domes Pavilion, National Museum, Wrocław, Poland Nature Morte: Contemporary Artists Re-invigorate the Still Life
2016 Konsthallen-Bohusläns Museum, Uddevalla, Sweden Nature Morte: Contemporary Artists Re-invigorate the Still Life [book, travelling]
  Detroit Artists Market, Detroit, MI, The Scent of Rain on Dry Earth
2015 Center Galleries, College for Creative Studies, Detroit, MI, Making Mischief: Jennifer Dalton, Alex Gingrow,
Cynthia Greig, Laurina Paperina and Scott Reeder
  Hå gamle prestegard, Stavanger, Norway Nature Morte: Contemporary Artists Re-invigorate the Still Life [book, travelling]
  Festival Internacional de Fotografia de Belo Horizonte, Brazil, Mundo, Imagem, Mundo—Moving Images [catalogue]
  8º Fest Foto, Porto Alegre, Brazil, Fotograma Livre: Tão longe, tão perto
2014 Art 1307, Naples, Italy, meta-illusioni: Nicola Evangelisti, Cynthia Greig, Michal Machu, Pilar Soberon and Philippe Soussan [catalogue]
  DesignHaus, Darmstadt, Germany, Darmstädter Tage der Fotografie, Reflexion — Ästhetische Referenzen [catalogue]
  Fred Torres Gallery, New York, NY Please Don't Stop Loving Me!
  Krause Gallery, New York, NY, Emerging to Established — I
  Verve Gallery, Santa Fe, NM, Diffusion
2013 Anton Art Center, Mount Clemens, MI Chromophobe
  Venice Arts Center, Venice, CA Narrative Space
  Fitchburg Art Museum, Fitchburg, MA Still Life Lives!
  Western Michigan University Art Gallery, Kalamazoo, MI Seventeen Days
2012 Carl Solway Gallery, Cincinnati, OH Body/Objects: Works by Ten Photographers
2011 Museum of Fine Arts, Houston, TX Beauty, Humor, and Social Justice: Gifts of Joan Morgenstern
  Fred Torres Collaborations, New York, NY Live from Detroit
  Jean Paul Slusser Gallery, The University of Michigan, Ann Arbor, MI Nothing to Say
  The Butcher’s Daughter. Ferndale MI Me/We
2010 The Camera Club of New York, Drawing Pictures: Jowhara AlSaud, Cynthia Greig, Ashley Reid & Athena Waligore
  Pelham Art Center, The Things Themselves: Contemporary Still Life [catalogue]
2009 The Butcher’s Daughter, Ferndale, MI The Trace of Archive and Memory [catalogue]
  Rena Bransten Gallery, San Francisco, CA Complicity: Contemporary Photography and the Matter of Sculpture
Ginny Cook, Igor Eskinja, Daniel Gordon, Cynthia Greig, Chris Jones and Vik Muniz
  Esther Klein Art Gallery, University Science Center, Philadelphia, PA, The Vitreous: Of Eyes and Optics
  Smith College Museum of Art, Northampton, MA Works on Paper
2008 Clark Gallery, Lincoln, MA Staged
  Delaware Center for Contemporary Art, Wilmington, DE Philadelphia Collects Works on Paper
  Wallspace, Seattle New Directions
  Museum of New Art, Pontiac, MI Early in the 21st Century
2007 Forest City Gallery, London, Ontario, Canada Stranger than Fiction - The Delicate Art of Faking History: Daniel Ehrenworth, Cynthia Greig, Davida Nemeroff and Carl Zimmerman
  Museum of Contemporary Photography, Chicago, IL Relative Closeness: Portraits of Family & Friends
  Catalyst Arts, Belfast, Ireland Trauma Interrupted: The Felt Experience Project
2006 Boston Center for the Arts, Boston, MA After [catalogue]
2005 South Bend Regional Art Museum, South Bend, IN, Biennial 23
2004 Harvestworks, New York, NY, Whiz Bang: Videos by Emerging Artists
  RedCat Theater, Disney Hall, Los Angeles, CA, LA Freewaves How Can You Resist? Inheritance
  Gallery 44, Centre for Contemporary Photography, Toronto, Canada Of Kith and Kin
  The University of North Texas Art Galleries, Denton, TX Managing Eden
  Houston Center for Photography, Houston, TX Truth Matters: The Meaning of Objects
  The Library Company, Philadelphia, PA and Bryn Mawr College, Picturing Women: Historical Works and Contemporary Responses
2003 International Center for Photography, New York, NY Only Skin Deep: Changing Visions of the American Self Online Exhibition
  Center for Photography, Woodstock, NY Managing Eden
  SPACES, Cleveland, OH Selections II:  John Benevuto, Peter Dudek, Cynthia Greig, Cathy Smith, Lorraine Tady
2002 Institute of Contemporary Arts, London, FUSE: After Dolly  
  Carl Solway Gallery, Cincinnati, OH The Photographic Edge
  Museum of New Art, Detroit, MI Ground Zero
2001 University Art Gallery, Central Michigan University, Mt. Pleasant, MI
The Truth of Appearances: Cynthia Greig, Michael Hernandez de Luna & Peter Patchen
  Penelec Gallery, Allegheny College, Meadville, PA Apocalypse Noir
2000 Detroit Artists Market, Detroit, MI Bounded Intervals: Michele Brody, Cynthia Greig, Sheila Moss & John Roloff [catalogue]
  Ukrainian Institute of Modern Art, Chicago, IL Curator's Choice
  Buckham Gallery, Flint, MI Vision as Metaphor
1998 The Soap Factory, Minneapolis, MN Ten
1997 The Institute for the Humanities, The University of Michigan, Ann Arbor, MI Images and the Imaginary
1996 Matrix Gallery, Ann Arbor, MI Group Consequences: Cynthia Greig, Martha Keller, Valerie Mann,Mark Nielsen, Lisa Olson, Shawn Skabelund
1995 SFCamerawork, San Francisco Bodies of Evidence: Julie Blankenship, Christine Dallas, C.S. Greig, Jin Lee
 
SELECTED BIBLIOGRAPHY
2017 Ruth Hobley. "Nature Morte at Guildhall Art Gallery," London Calling, October 21.
  Glen Mannisto. "Sandwich Project @ Art Gallery of Windsor," Detroit Art Review, August 7.
  MaryAnn Wilkinson. "Cynthia Greig," Essay'd, no.67, Detroit, May 1.
  Andreas Müller-Pohle, ed. European Photography, "Talking Photography: 100 Pictures That Tell a Story," Berlin, no. 100, January.
2015 Michelle Perron. Making Mischief (exhibition brochure), Center Galleries, Detroit, MI, January.
2014 Michael Petry. Breeding Dust: Cynthia Greig's Galleryscapes (catalogue essay)
Peter Finnemore. Overlook (catalogue essay)
Emiliano D'Angelo and Cynthia Penna. meta-illusioni: il giardino dell'impossibile (exhibition catalogue), Naples, Italy.
  Norman Borden. New York Photo Review, "An October Chelsea Walkabout," October 23.
  Kai Bucholz, et. al., Reflexion — Ästhetische Referenzen, (exhibiton catalogue), Darmstädt, Germany, 9, 66-71, 232.
  Tiziano Tricarico. Il Mattino, "Quando la fotografia non ritrae la realtà," Nov. 27, 52.
  Ann Landi. "Diffusion at Verve Gallery," ARTnews, Summer, 101.
2013 Michael Petry. Nature Morte: Contemporary Artists Re-Invigorate the Still Life Tradition, Thames and Hudson (London), 82-83, 258-259.
2012 ARam Kim. "Interview with Cynthia Greig" BLINK (Seoul), May, 12 pp.
  Helena Celdrán. “Cynthia Greig, fotografías que podrían ser dibujos,” 20 minutos (Spain), May 3.
2011 Dick Goody. Cynthia Greig: Subverting the (un)Conventional (exhibition catalogue) Rochester, MI: Oakland University, 71 pp.
  Michael Hodges. “Cynthia Greig Retrospective Jiggles Lens on Reality,” The Detroit News, February 17, 17M.
  Robert De Valle. “Subversive Clause,” Real Detroit Weekly, Jan. 4, 14.
  Gabrielle Pescador, Review of "Subverting the (un)Conventional," The Detroiter, Feb. 28.
2010 ARam Kim. “Cynthia Greig: Welcome to My Week” Photo+ (Seoul, Korea) October, 88-95.
  Elizabeth Saperstein and Nancy Warner. The Things Themselves (exhibition brochure essay), Pelham, NY: Pelham Art Center.
  Leah Ollman. “These Rich Textures of Life,” Los Angeles Times, June 25, D15.
  Michael Van Der Tol. “Artist Profile: Interview with Cynthia Greig,” Diffusion—Unconventional Photography, v. 2, 26-32.
2009 Kenneth Baker. Review of Complicity, San Francisco Chronicle, Feb. 14.
  Christina Penn-Goetsch. “Review of Re-Framing Representations of Women,” SECAC Review, Vol. XLI, No. 2.
  Roberta Fallon. “What You See isn’t Always What You Get at Klein Art Gallery,” Philadelphia Weekly, Aug.12.
  Edith Newhall. “Eye-centric Exhibition Provoking Looks and Laughs, Philadelphia Inquirer, Aug. 2.
  Monica Bowman. The Trace of Archive and Memory (exhibition catalogue), Ferndale, MI: The Butcher’s Daughter Gallery.
  Petra Mostbacher-Dix. “Faszinierende Perspektiven,” SUR, Dec/Jan 2009.
2008 Susan Shifrin, ed. Re-Framing Representations of Women, Hampshire England: Ashgate Publishing, 2008, 129, 247-249.
  Georg Leisten. “Milchige Dinggespenster,” Stuttgarter Zeitung, December 5.
  Joshua Lynch. Review of Wallspace Exhibit, Seattle Weekly, September 24.
  Mauricio Alejo. “What a Wonderful World,” Fahrenheit (Mexico City, Mexico), April, 30-31.
  Cate McQuaid.  “Photographers Add New Dimensions to Still Life,” Boston Globe, June 25.
  Angela Faris-Belt. The Elements of Photography. Burlington, MA: Focal Press, 152-155, 280-283.
2007 Susan Ciccotti. “Aperture Prize Runner-Up,” New York, NY
  Slavka Sverakova. “Felt Experience” Circa Art Magazine, Belfast, Ireland, Spring, no.119, 92-94.
  Dan Ehrenworth. “Stranger than Fiction,” Forest City Gallery, London, Ontario
  Karla Osorio Netto. Natureza, Meo Ambiente e Sustentabilidade, Brasilia: Foto Arte Brasilia, 127-129.
2006 Silvia Mangialardi. “Sobre las apariencias,” Fotomundo Buenos Aires, Argentina, September, 58-62.
  Elda Harrington and Alejandro Montes de Oca, Realidad(i)realidad (exhibition catalogue), Buenos Aires: Festival de la Luz, 48-49.
  Cate McQuaid, “Among the Missing” Boston Globe, March 2.
  Laura Donaldson. After (exhibition catalogue). Boston Center for the Arts, Boston MA, 21-22.
2005 Amber Whiteside. "Solos” Artweek. San Francisco, CA. October, 14.
  Kate Menconeri and Ariel Shanberg. “Managing Eden” Photography Quarterly. Woodstock NY: CPW, no. 91, 4-15.
2004 Ute Nöll, “Fokus,” Frankfurter Rundschau Magazin, Frankfurt, Germany, Oct. 16, 7.
  Alison Kenzie, Of Kith and Kin (exhibition brochure essay), Toronto, Canada: Gallery 44.
2003 Jessica Lack. “Belonging” The Guardian Guide, London UK Sept. 13-19, 34.
  Rachel Garfield. Out-Of-Place: Elia Alba and Cynthia Greig (exhibition catalogue), Essex, UK: Focal Point Gallery, University of Hertfordshire Galleries.
  Eileen Pollack. “Fiction Writers and Other Well-Intentioned Frauds,” The Writer’s Chronicle, March, 33-40.
  J. Carlos Cantu. “Display Merges Sight, Sound with Wacky Sense of Humor,” Ann Arbor News, Aug. 3, C1.
2002 Jason Lahr. Cynthia Greig: Little Differences (exhibitionbrochure), Moreau Art Galleries, Notre Dame, IN.
  Jeff Hoone. Contact Sheet Annual 117, Syracuse, NY: Light Work, 22-27.
  Roger Green. “Sept. 11 Collides with Art.” Ann Arbor News, September 10.
  Carol Novak. Review of UICA solo exhibition, New Art Examiner, March/April, 83-84.
2001 Julie Johnson. "The Return of Beauty in Contemporary Art and Art History," Rendezvous, Vol. 36, No. 1, Fall, 9-11.
  Katy McCormick. The Bride Wore Trousers (exhibition brochure), Gallery 44, Centre for Contemporary Photography, Toronto, Canada.
  Behind the Lens. Featured in documentary on contemporary photography, CTV, Canadian Television
  Peter Goddard. “Imaginary Artist,” The Toronto Star, June 7, G10.
2000 Dan Mills. American Identities (exhibition catalogue), SUNY-Potsdam Museum of Art.
  Joy Hakansan Colby. “Artists Market Eclectic Show Works,” Detroit News, 9D.
  Jan Worth. "Buckham Exhibit is Passionate and Personal," The Flint Journal. March 19, F4.
1999 Cynthia Morgan. Review of Ten, New Art Examiner, March, 62-63.
1998 Patricia Briggs. Review of Ten, City Pages, Minneapolis MN, October 7, 27-28.
   
SOME WRITING AND CURATING
2011 For the Record: Andy Warhol's Polaroids and Snapshots, 1974-1986 (Exhibition Curator), Mott Art Gallery, Flint, MI
2004 "Flying Under the Radar," catalogue essay for Peter Finnemore: Zen Gardener, Llandudno, Wales: Oriel Mostyn Gallery
2003 Women in Pants: Manly Maidens, Cowgirls and Other Renegades, New York, NY: Harry N. Abrams, (co-author with Catherine Smith)
  The Times Magazine, London, April 5, 14-20 (Cover and Feature article, co-author with Catherine Smith).
  "Women in Tuxedos," 2wice, New York, v. 7, no. 2, 34-38 (co-author with Catherine Smith).
2001 "The Bride Wore Trousers" in The Body Aesthetic: From Fine Art to Body Modification," Tobin Siebers editor. Ann Arbor: University of Michigan Press
2000 Sampler: Chris Caruso, Andrea Champlin, John Richardson & Mee Kyung Shim (exh. catalogue essay), Detroit: Detroit Artists Market
1999 Containers of Memory (Curator, exhibition catalogue essay), Detroit: Detroit Artists Market
  Images of Resistance (Co-Curator), Residential College Art Gallery, The University of Michigan, Ann Arbor)
1998 Un-defining...Print (Curator, exhibition catalogue essay), Detroit: Detroit Artists Market
   
SELECTED PRESS FOR WOMEN IN PANTS
2005 Rebecca Mazzei. “Room to Breathe,” Metro Times, Detroit, MI, July 8.
2004 Joy Sperling. “Book Review,” The Journal of American Culture, June, 258-59.
  Diane Hamer. “The Butch Mystique,” The Gay And Lesbian Review, January 1, 44.
  Rhonda Jenkins. “Book Review,” Women Writers, Winter.
2003 Melody Ballard. “Book Review,” The Library Journal, June 1, 116.
  Louis Carolin. “She Wears the Pants” DIVA, May 5, 26-32.
  Kara G. Morrison. “Book Reveals Women's Progress Wearing Pants,” The Detroit News, April 5, 1D.
  Ronni Radner. “Wearing the Pants,” OUT, March, 44.
  Peter Goddard. “Getting into Men's Pants,” The Toronto Star, May 3.
   
SELECTED AWARDS AND HONORS
2015 The Kresge Foundation, Kresge Arts in Detroit, Kresge Artist Fellowship
2007 Aperture Foundation, New York NY, Aperture Prize Runner-Up
2006 Denison University, Granville, OH, Vail-Artist-in-Residence
2003 Santa Fe Center for Photography, Santa Fe, NM, Assignment Earth Award
  Houston Center for Photography, Houston, TX, HCP Fellowship
2001 Light Work, Syracuse, NY, Artist-in-Residence
1990-91 Center for New Television, Chicago, IL, Great Lakes Regional Fellowship (Filmmaking)
1990 Michigan Council for the Arts and Cultural Affairs, Creative Artist Award (Filmmaking)
   
EDUCATION
The University of Michigan School of Art + Design, Ann Arbor, MI, MFA Photography
The University of Iowa, Iowa City, IA, MA Art History
Washington University, St. Louis, MO, BFA Printmaking