| SELECTED SOLO AND TWO-PERSON EXHIBITIONS |
| 2025 |
|
| Buckham Gallery, Flint, MI |
| 2023 |
|
| Peter Paul Luce Gallery, Cornell College, Mt. Vernon, IA |
| 2019 |
|
| Peel Art Museum, Gallery and Archives, Brampton, ON (with Vid Ingelevics) |
| Mott Fine Arts Gallery, Flint, MI |
| 2018 |
|
| Paul Kotula Projects, Ferndale, MI |
| 2017 |
|
| MARCH, San Francisco, CA |
| 2016 |
|
| Stephen Bulger Gallery, Toronto, ON |
| 2015 |
|
| Buckham Gallery, Flint, MI (with L.E. Young-Siri) |
| 2014 |
|
| Fred Torres Gallery, New York, NY [catalogue] |
| 2013 |
|
| bildkultur, Stuttgart, Germany |
| 2012 |
|
| DNJ Gallery, Santa Monica, CA |
| Clark Gallery, Lincoln, MA |
| 2011 |
|
| Oakland University Art Gallery, Rochester MI [catalogue] |
| 2010 |
|
| Witzenhausen Gallery, Amsterdam, The Netherlands |
| DNJ Gallery, Los Angeles, CA |
| 2010 |
|
| Uno Art Space, Stuttgart, Germany |
| Wallspace Gallery, Seattle, WA |
| 2007 |
|
| Museo de la Fotografia, Santa Fe, Argentina |
| Richard Levy Gallery, Albuquerque, NM |
| Foto Arte Festival, Brasilia, Brazil [catalogue] |
Nicole Fiacco Gallery, Hudson, NY (with Michal Bachi) |
| 2006 |
|
| Centro Cultural Recoleta, Festival de la Luz, Buenos Aires, Argentina [catalogue] |
| 2005 |
|
| SFCamerawork, San Francisco, CA |
| 2003 |
|
| Focal Point Gallery, Southend-on-Sea, England (with Elia Alba) [catalogue] |
| Margaret Harvey Gallery, St. Albans England (with Elia Alba) [catalogue] |
| 2002 |
|
| Moreau Art Galleries, St. Mary’s College, Notre Dame, IN |
| Museum of Art, SUNY-Potsdam, NY |
| 2001 |
|
| Gallery 44, Centre for Contemporary Photography, Toronto, Canada
|
| Urban Institute for Contemporary Art, Grand Rapids, MI |
| 1998 |
|
| The Wright Museum of Art, Beloit, WI (with Michael Hernandez de Luna / Michael Thompson) |
| SELECTED GROUP EXHIBITIONS |
| 2025 |
|
| PH21 Gallery, Budapest, Hungary Silence |
| Manifest Gallery, Cincinnati, OH Botanical |
| 2024 |
|
| Detroit Artists Market Detroit Lens: Yesterday, Today and Tomorrow |
| 2023 |
|
| Everson Museum, Syracuse, NY. 50th Anniversary: Selections from the Light Work Collection |
| Vault Gallery, University of West Georgia, Infinite Weight/Present Histories |
| DeVos Museum of Art, Marquette, MI, North of the 45th |
| 2022 |
|
| Paul Kotula Projects, Ferndale, MI Sleepwalker, Rebecca Casement, Cynthia Greig, Tony Hepburn, Iñigo Manglano-Ovalle, Karen Olivier, Peter Williams, Anne Wilson |
| Rowe Gallery, University of North Carolina, Charlotte, NCNature Morte |
Well Well Projects, Portland, OR Smart Objects/Flattened Images |
| 2021 |
|
| New Mexico Museum of Art, Santa Fe, NM Breath Taking |
| Photographic Center Northwest, Seattle, WA Time Capsule
|
| Katonah Museum of Art, Katonah, NY Still/Live |
| 2020 |
|
| Festival Internacional de la Fotografia de Avintes, Portugal, Instantes |
| Art Mile Detroit with Paul Kotula Projects |
| 2019 |
|
| Detroit Artists Market, Detroit, MI Thank you, Mies |
| Photo Place, Middlebury, VT Intentional Spaces |
| Clark Gallery, Lincoln, MA Drawing, Assemblage, Collage |
| 2018 |
|
| Memorial Hall, Cincinnati, OH Body Language: Cynthia Greig, Rachel Rampleman and Alan Rath |
| Eastern Connecticut State University Art Gallery, Willimantic, CT, Still/Live: Mauricio Alejo, Dave Greber, Cynthia Greig, Robin Mandel |
| 2017 |
|
| Art Gallery of Windsor, ON, Canada Food, Feminism and Kitchen Culture: Carly Erber, Anna Frlan, Cynthia Greig, Marilyn Minter, Christiane Pflug, Annie Pootoogook, Martha Rosler |
| Guildhall Art Gallery, London, England Nature Morte: Contemporary Artists Reinvigorate the Still-Life [book, travelling] |
| Stamps Gallery, The University of Michigan, Ann Arbor, MI Ambiguities/Innuendoes? |
| Elysium Gallery, Swansea, Wales, ESPY Photo Award exhibition |
| The Four Domes Pavilion, National Museum, Wrocław, Poland Nature Morte: Contemporary Artists Re-invigorate the Still Life |
| 2016 |
|
| Konsthallen-Bohusläns Museum, Uddevalla, Sweden Nature Morte: Contemporary Artists Re-invigorate the Still Life [book, travelling] |
| Detroit Artists Market, Detroit, MI, The Scent of Rain on Dry Earth |
| 2015 |
|
| Center Galleries, College for Creative Studies, Detroit, MI, Making Mischief: Jennifer Dalton, Alex Gingrow, Cynthia Greig, Laurina Paperina and Scott Reeder |
| Hå gamle prestegard, Stavanger, Norway Nature Morte: Contemporary Artists Re-invigorate the Still Life [book, travelling] |
| Festival Internacional de Fotografia de Belo Horizonte, Brazil, Mundo, Imagem, Mundo—Moving Images [catalogue] |
| 8º Fest Foto, Porto Alegre, Brazil, Fotograma Livre: Tão longe, tão perto |
| 2014 |
|
| Art 1307, Naples, Italy, meta-illusioni: Nicola Evangelisti, Cynthia Greig, Michal Machu, Pilar Soberon and Philippe Soussan [catalogue] |
| DesignHaus, Darmstadt, Germany, Darmstädter Tage der Fotografie, Reflexion — Ästhetische Referenzen [catalogue] |
| Fred Torres Gallery, New York, NY Please Don't Stop Loving Me! |
| Krause Gallery, New York, NY, Emerging to Established — I |
| Verve Gallery, Santa Fe, NM, Diffusion |
| 2013 |
|
| Anton Art Center, Mount Clemens, MI Chromophobe |
| Venice Arts Center, Venice, CA Narrative Space |
| Fitchburg Art Museum, Fitchburg, MA Still Life Lives! |
| Western Michigan University Art Gallery, Kalamazoo, MI Seventeen Days |
| 2012 |
|
| Carl Solway Gallery, Cincinnati, OH Body/Objects: Works by Ten Photographers |
| 2011 |
|
| Museum of Fine Arts, Houston, TX Beauty, Humor, and Social Justice: Gifts of Joan Morgenstern |
| Fred Torres Collaborations, New York, NY Live from Detroit |
| Jean Paul Slusser Gallery, The University of Michigan, Ann Arbor, MI Nothing to Say |
| The Butcher’s Daughter. Ferndale MI Me/We |
| 2010 |
|
| The Camera Club of New York, Drawing Pictures: Jowhara AlSaud, Cynthia Greig, Ashley Reid & Athena Waligore |
| Pelham Art Center, The Things Themselves: Contemporary Still Life [catalogue] |
| 2009 |
|
| The Butcher’s Daughter, Ferndale, MI The Trace of Archive and Memory [catalogue] |
| Rena Bransten Gallery, San Francisco, CA Complicity: Contemporary Photography and the Matter of SculptureGinny Cook, Igor Eskinja, Daniel Gordon, Cynthia Greig, Chris Jones and Vik Muniz |
| Esther Klein Art Gallery, University Science Center, Philadelphia, PA, The Vitreous: Of Eyes and Optics |
| Smith College Museum of Art, Northampton, MA Works on Paper |
| 2008 |
|
| Clark Gallery, Lincoln, MA Staged |
| Delaware Center for Contemporary Art, Wilmington, DE Philadelphia Collects Works on Paper |
| Wallspace, Seattle New Directions |
| Museum of New Art, Pontiac, MI Early in the 21st Century |
| 2007 |
|
| Forest City Gallery, London, Ontario, Canada Stranger than Fiction - The Delicate Art of Faking History: Daniel Ehrenworth, Cynthia Greig, Davida Nemeroff and Carl Zimmerman |
| Museum of Contemporary Photography, Chicago, IL Relative Closeness: Portraits of Family & Friends |
| Catalyst Arts, Belfast, Ireland Trauma Interrupted: The Felt Experience Project |
| 2006 |
|
| Boston Center for the Arts, Boston, MA After [catalogue] |
| 2005 |
|
| South Bend Regional Art Museum, South Bend, IN, Biennial 23 |
| 2004 |
|
| Harvestworks, New York, NY, Whiz Bang: Videos by Emerging Artists |
| RedCat Theater, Disney Hall, Los Angeles, CA, LA Freewaves How Can You Resist? Inheritance |
| Gallery 44, Centre for Contemporary Photography, Toronto, Canada Of Kith and Kin |
| The University of North Texas Art Galleries, Denton, TX Managing Eden |
| Houston Center for Photography, Houston, TX Truth Matters: The Meaning of Objects |
| The Library Company, Philadelphia, PA and Bryn Mawr College, Picturing Women: Historical Works and Contemporary Responses |
| 2003 |
|
| International Center for Photography, New York, NY Only Skin Deep: Changing Visions of the American Self Online Exhibition |
| Center for Photography, Woodstock, NY Managing Eden |
| SPACES, Cleveland, OH Selections II: John Benevuto, Peter Dudek, Cynthia Greig, Cathy Smith, Lorraine Tady |
| 2002 |
|
| Institute of Contemporary Arts, London, FUSE: After Dolly | |
| Carl Solway Gallery, Cincinnati, OH The Photographic Edge |
| Museum of New Art, Detroit, MI Ground Zero |
| 2001 |
|
| University Art Gallery, Central Michigan University, Mt. Pleasant, MI The Truth of Appearances: Cynthia Greig, Michael Hernandez de Luna & Peter Patchen |
| Penelec Gallery, Allegheny College, Meadville, PA Apocalypse Noir |
| 2000 |
|
| Detroit Artists Market, Detroit, MI Bounded Intervals: Michele Brody, Cynthia Greig, Sheila Moss & John Roloff [catalogue] |
| Ukrainian Institute of Modern Art, Chicago, IL Curator's Choice |
| Buckham Gallery, Flint, MI Vision as Metaphor |
| 1998 |
|
| The Soap Factory, Minneapolis, MN Ten |
| 1997 |
|
| The Institute for the Humanities, The University of Michigan, Ann Arbor, MI Images and the Imaginary |
| 1996 |
|
| Matrix Gallery, Ann Arbor, MI Group Consequences: Cynthia Greig, Martha Keller, Valerie Mann,Mark Nielsen, Lisa Olson, Shawn Skabelund |
| 1995 |
|
| SFCamerawork, San Francisco Bodies of Evidence: Julie Blankenship, Christine Dallas, C.S. Greig, Jin Lee |
| SELECTED BIBLIOGRAPHY |
| 2023 |
|
| renée hoogland. "Compelling Abstraction: Cynthia Greig’s Digital Transformations of Art Space," American Comparative Literature Association, March. Included as chapter in forthcoming book, The Analog Revisited, Again: Questioning the Technical Image in a Digital Age, r. hoogland, Vernon Press. |
|
|
Lillien Waller. "Cynthia Greig: Breath," PRACTICE, Kresge Arts in Detroit, October. |
| 2022 |
|
| Kim Fay. "Review of Sleepwalker," Real Detroit, Nov. 3 |
| 2021 |
|
| Jonathon Keats. "A New Exhibit About Breathing Offers A Surprisingly Fresh Perspective On Timely Issues Ranging From COVID To BLM," Forbes Magazine, April 29. |
| Charlotte Kent. "Still/Live," The Brooklyn Rail, May 1 |
| Jonathan Blaustein. "This Week in Photography: Returning to Normal?," A photo Editor, April 30. |
| Michael Haederle. "Inside Breath Taking", Tricycle, July 7. |
| 2020 |
|
| Tatum Dooley. "Cynthia Greig: Pictures at/of an Exhibition," FFOTO, Toronto, March 3. |
| Cynthia and Renato Penna. TIME: Tempo al Tempo dall'isolamento, Napoli: Art 1307, 172pp. |
| 2018 |
|
| Dennis Nawrocki, Matthew Piper, et. al. eds. Essay'd 3: 30 Detroit Artists, Detroit: Wayne State University Press, 160pp. |
| Ekin Erkan. "Traipsing Ballroom Halls," AEQAI, August 26. |
| Glen Mannisto. "Cynthia Greig @ Paul Kotula Projects," Detroit Art Review, April 25. |
| Marta Marychuk. "New PAMA Exhibit Reflects on Art and the Exhibition Environment," The Toronto Star, July 27. |
| Bruno Vilela, editor. Mundo, Imagem, Mundo, Malagueta Produçôes: Belo Horizonte, Brazil, 248-251. |
| Jaclyn Meloche. "Food, Feminism and Kitchen Culture" in The Sandwich Project, Windsor: Art Gallery of Windsor. |
| 2017 |
|
| Ruth Hobley. "Nature Morte at Guildhall Art Gallery," London Calling, October 21. |
| Glen Mannisto. "Sandwich Project @ Art Gallery of Windsor," Detroit Art Review, August 7. |
| MaryAnn Wilkinson. "Cynthia Greig," Essay'd, no.67, May. |
| Brainard Carey. "Interview from Yale University Radio," Museum of Non-Visible Art, February 24. |
| Piotr Oszczanowski, Malgorzata Santarek, Michel Petry. Martwa Nature, Wroclaw: Muzeum Narodowe we Wroclawiu, 25-26. |
| Andreas Müller-Pohle, ed. European Photography, "Talking Photography: 100 Pictures That Tell a Story," Berlin, no. 100, January.
|
| 2016 |
|
| Susan Wang. "Cynthia Greig: Photography as the Truth," WideWalls, March 14. |
| 2015 |
|
| Michelle Perron. Making Mischief (exhibition brochure), Center Galleries, Detroit, MI, January. |
| 2014 |
|
| Michael Petry. Breeding Dust: Cynthia Greig's Galleryscapes (catalogue essay)
|
| Peter Finnemore. Overlook (catalogue essay)
|
| Emiliano D'Angelo and Cynthia Penna. meta-illusioni: il giardino dell'impossibile (exhibition catalogue), Naples, Italy.
|
| Norman Borden. New York Photo Review, "An October Chelsea Walkabout," October 23.
|
| Kai Bucholz, et. al. Reflexion — Ästhetische Referenzen, (exhibition catalogue), Darmstädt, Germany, 9, 66-71, 232.
|
| Tiziano Tricarico. Il Mattino, "Quando la fotografia non ritrae la realtà," Nov. 27, 52.
|
| Ann Landi. "Diffusion at Verve Gallery," ARTnews, Summer, 101. |
| 2013 |
|
| Michael Petry. Nature Morte: Contemporary Artists Re-Invigorate the Still Life Tradition, Thames and Hudson (London), 82-83, 258-259. |
| 2012 |
|
| ARam Kim. "Interview with Cynthia Greig" BLINK (Seoul), May, 12 pp. |
| Helena Celdrán. “Cynthia Greig, fotografías que podrían ser dibujos,” 20 minutos (Spain), May 3. |
| Aline Smithson. "Cynthia Greig," Lenscratch, Feb. 12. |
| 2011 |
|
| Dick Goody. Cynthia Greig: Subverting the (un)Conventional (exhibition catalogue) Rochester, MI: Oakland University, 71 pp. |
| Michael Hodges. “Cynthia Greig Retrospective Jiggles Lens on Reality,” The Detroit News, February 17, 17M. |
| Robert De Valle. “Subversive Clause,” Real Detroit Weekly, Jan. 4, 14. |
| Gabrielle Pescador. Review of "Subverting the (un)Conventional," The Detroiter, Feb. 28. |
| 2010 |
|
| ARam Kim. “Cynthia Greig: Welcome to My Week” Photo+ (Seoul, Korea) October, 88-95. |
| Elizabeth Saperstein and Nancy Warner. The Things Themselves (exhibition brochure essay), Pelham, NY: Pelham Art Center. |
| Leah Ollman. “These Rich Textures of Life,” Los Angeles Times, June 25, D15. |
| Michael Van Der Tol. “Artist Profile: Interview with Cynthia Greig,” Diffusion—Unconventional Photography, v. 2, 26-32. |
| 2009 |
|
| Kenneth Baker. Review of Complicity, San Francisco Chronicle, Feb. 14. |
| Christina Penn-Goetsch. “Review of Re-Framing Representations of Women,” SECAC Review, Vol. XLI, No. 2. |
| Roberta Fallon. “What You See isn’t Always What You Get at Klein Art Gallery,” Philadelphia Weekly, Aug.12. |
| Edith Newhall. “Eye-centric Exhibition Provoking Looks and Laughs, Philadelphia Inquirer, Aug. 2. |
| Monica Bowman. The Trace of Archive and Memory (exhibition catalogue), Ferndale, MI: The Butcher’s Daughter Gallery. |
| Petra Mostbacher-Dix. “Faszinierende Perspektiven,” SUR, Dec/Jan 2009. |
| 2008 |
|
| Susan Shifrin, ed. Re-Framing Representations of Women, Hampshire England: Ashgate Publishing, 2008, 129, 247-249. |
| Georg Leisten. “Milchige Dinggespenster,” Stuttgarter Zeitung, December 5. |
| Joshua Lynch. Review of Wallspace Exhibit, Seattle Weekly, September 24. |
| Mauricio Alejo. “What a Wonderful World,” Fahrenheit (Mexico City, Mexico), April, 30-31. |
| Cate McQuaid. “Photographers Add New Dimensions to Still Life,” Boston Globe, June 25. |
| Angela Faris-Belt. The Elements of Photography. Burlington, MA: Focal Press, 152-155, 280-283. |
| 2007 |
|
| Susan Ciccotti. “Aperture Prize Runner-Up,” New York, NY |
| Slavka Sverakova. “Felt Experience” Circa Art Magazine, Belfast, Ireland, Spring, no.119, 92-94. |
| Dan Ehrenworth. “Stranger than Fiction,” Forest City Gallery, London, Ontario
|
| Karla Osorio Netto. Natureza, Meo Ambiente e Sustentabilidade, Brasilia: Foto Arte Brasilia, 127-129. |
| 2006 |
|
| Silvia Mangialardi. “Sobre las apariencias,” Fotomundo Buenos Aires, Argentina, September, 58-62. |
| Elda Harrington and Alejandro Montes de Oca. Realidad(i)realidad (exhibition catalogue), Buenos Aires: Festival de la Luz, 48-49. |
| Cate McQuaid, “Among the Missing” Boston Globe, March 2. |
| Laura Donaldson. After (exhibition catalogue). Boston Center for the Arts, Boston MA, 21-22. |
| 2005 |
|
| Amber Whiteside. "Solos” Artweek. San Francisco, CA. October, 14. |
| Kate Menconeri and Ariel Shanberg. “Managing Eden” Photography Quarterly. Woodstock NY: CPW, no. 91, 4-15. |
| 2004 |
|
| Ute Nöll. “Fokus,” Frankfurter Rundschau Magazin, Frankfurt, Germany, Oct. 16, 7. |
| Alison Kenzie. Of Kith and Kin (exhibition brochure essay), Toronto, Canada: Gallery 44. |
| 2003 |
|
| Jessica Lack. “Belonging” The Guardian Guide, London UK Sept. 13-19, 34. |
| Rachel Garfield. Out-Of-Place: Elia Alba and Cynthia Greig (exhibition catalogue), Essex, UK: Focal Point Gallery, University of Hertfordshire Galleries. |
| Eileen Pollack. “Fiction Writers and Other Well-Intentioned Frauds,” The Writer’s Chronicle, March, 33-40. |
| J. Carlos Cantu. “Display Merges Sight, Sound with Wacky Sense of Humor,” Ann Arbor News, Aug. 3, C1. |
| 2002 |
|
| Jason Lahr. Cynthia Greig: Little Differences (exhibition brochure), Moreau Art Galleries, Notre Dame, IN. |
| Jeff Hoone. Contact Sheet Annual 117, Syracuse, NY: Light Work, 22-27. |
| Roger Green. “Sept. 11 Collides with Art.” Ann Arbor News, September 10. |
| Carol Novak. Review of UICA solo exhibition, New Art Examiner, March/April, 83-84. |
| 2001 |
|
| Julie Johnson. "The Return of Beauty in Contemporary Art and Art History," Rendezvous, Vol. 36, No. 1, Fall, 9-11. |
| Katy McCormick. The Bride Wore Trousers (exhibition brochure), Gallery 44, Centre for Contemporary Photography, Toronto, Canada. |
| Behind the Lens. Featured in documentary on contemporary photography, CTV, Canadian Television |
| Peter Goddard. “Imaginary Artist,” The Toronto Star, June 7, G10. |
| 2000 |
|
| Dan Mills. American Identities (exhibition catalogue), SUNY-Potsdam Museum of Art. |
| Joy Hakansan Colby. “Artists Market Eclectic Show Works,” Detroit News, 9D. |
| Jan Worth. "Buckham Exhibit is Passionate and Personal," The Flint Journal. March 19, F4. |
| 1999 |
|
| Cynthia Morgan. Review of Ten, New Art Examiner, March, 62-63. |
| 1998 |
|
| Patricia Briggs. Review of Ten, City Pages, Minneapolis MN, October 7, 27-28. |
| SOME WRITING AND CURATING |
| 2018 |
|
| "Space, Memory and Spectacle: The Paintings of John Dempsey" in John Dempsey: Take Place (essay in forthcoming publication)
|
| 2011 |
|
| For the Record: Andy Warhol's Polaroids and Snapshots, 1974-1986 (Exhibition Curator), Mott Art Gallery, Flint, MI
|
| 2004 |
|
| "Flying Under the Radar," catalogue essay for Peter Finnemore: Zen Gardener, Llandudno, Wales: Oriel Mostyn Gallery |
| 2003 |
|
| Women in Pants: Manly Maidens, Cowgirls and Other Renegades, New York, NY: Harry N. Abrams, (co-author with Catherine Smith) |
<
| The Times Magazine, London, April 5, 14-20 (Cover and Feature article, co-author with Catherine Smith). |
| "Women in Tuxedos," 2wice, New York, v. 7, no. 2, 34-38 (co-author with Catherine Smith). |
| 2001 |
|
| "The Bride Wore Trousers" in The Body Aesthetic: From Fine Art to Body Modification," Tobin Siebers editor. Ann Arbor: University of Michigan Press |
| 2000 |
|
| Sampler: Chris Caruso, Andrea Champlin, John Richardson & Mee Kyung Shim (exh. catalogue essay), Detroit: Detroit Artists Market |
| 1999 |
|
| Containers of Memory (Curator, exhibition catalogue essay), Detroit: Detroit Artists Market |
| Images of Resistance (Co-Curator), Residential College Art Gallery, The University of Michigan, Ann Arbor) |
| 1998 |
|
| Un-defining...Print (Curator, exhibition catalogue essay), Detroit: Detroit Artists Market |
| SELECTED PRESS ABOUT WOMEN IN PANTS |
| 2013 |
|
| Margaret Perry. “Women in Pants,” Book Review, May 24.
|
| 2005 |
|
| Rebecca Mazzei. “Room to Breathe,” Metro Times, Detroit, MI, July 8.
|
| 2004 |
|
| Joy Sperling. “Book Review,” The Journal of American Culture, June, 258-59. |
| Diane Hamer. “The Butch Mystique,” The Gay And Lesbian Review, January 1, 44. |
| Rhonda Jenkins. “Book Review,” Women Writers, Winter. |
2003 |
|
| Melody Ballard. “Book Review,” The Library Journal, June 1, 116. |
| Louis Carolin. “She Wears the Pants” DIVA, May 5, 26-32. |
| Kara G. Morrison. “Book Reveals Women's Progress Wearing Pants,” The Detroit News, April 5, 1D. |
| Ronni Radner. “Wearing the Pants,” OUT, March, 44. |
| Peter Goddard. “Getting into Men's Pants,” The Toronto Star, May 3. |
| |
|
| SELECTED AWARDS AND HONORS |
| 2015 |
|
| The Kresge Foundation, Kresge Arts in Detroit, Kresge Artist Fellowship
|
| 2007 |
|
| Aperture Foundation, New York NY, Aperture Prize Runner-Up |
| 2006 |
|
| Denison University, Granville, OH, Vail-Artist-in-Residence |
| 2003 |
|
| Santa Fe Center for Photography, Santa Fe, NM, Assignment Earth Award |
| Houston Center for Photography, Houston, TX, HCP Fellowship |
| 2001 |
|
| Light Work, Syracuse, NY, Artist-in-Residence |
1990-91 |
|
| Center for New Television, Chicago, IL, Great Lakes Regional Fellowship (Filmmaking) |
1990 |
|
| Michigan Council for the Arts and Cultural Affairs, Creative Artist Award (Filmmaking) |
| EDUCATION |
| The University of Michigan School of Art + Design, Ann Arbor, MI, MFA Photography |
| The University of Iowa, Iowa City, IA, MA Art History |
| Washington University, St. Louis, MO, BFA Printmaking |
| |
